CHIROT ZERO ZINE--ANNOUNCING NEW BLOG

Dear Followers, Friends, fellow Workers:

I have just begun a new blog/zine called
Chirot Zero Zine A Heap of Rubble--
Anarkeyology of hand eye ear notations
---
http://chirotzerozine.blogspot.com
the blog is more exusively concerned than this one with presenting essays, reviews (inc. "bad reviews") , Visual Poetry, Sound Poetry, Event Scores, Manifestos, Manifotofestos, rantin' & raving, rock'roll, music all sorts--by myself and others--if you are interested in being a contributor, please feel free to contact me at david.chirot@gmail.com
as with this blog, the arts are investigated as a part of rather than apart from the historical, economic, political actualities of yesterday, today, & tomorrow
as with al my blogs--
contributions in any language are welcome

Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... books.google.com/books?isbn=0312263805... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... www.huffingtonpost.com/.../leonard-peltier-american_n_265764.html - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US


Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/


=

Cost of War in Iraq

$691,188,637,164

Cost of War in Afghanistan
$229,137,844,021

The cost in your community

www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual


VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'



Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'


The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.


The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Wednesday, November 07, 2007

Trove of Martin Ramirez Drawings Found In Garage

Martin Ramirez


Trove of Unknown Work Expands Outsider’s Legacy


Published: October 29, 2007

The American Folk Art Museum in Manhattan gets a steady stream of unsolicited e-mail, messages from people claiming to have discovered a self-taught genius sculpturing away in an Appalachian trailer or a pile of masterpieces previously serving as barn insulation.

Skip to next paragraph
Sara Krulwich/The New York Times

Donald Groscost adjusts pieces of Martín Ramírez’s “Untitled Abstract With Tunnels” in a warehouse in Brooklyn.

Sara Krulwich/The New York Times

A detail of a drawing by Martín Ramírez, on lined paper.

Brooke Davis Anderson, a curator at the museum, reads all such messages that come her way, even the more improbable ones. And in January, just as the museum was opening its critically praised exhibition of the rare, visionary drawings of Martín Ramírez, a Mexican immigrant who lived in a California mental hospital for more than 30 years, she received a two-paragraph letter that was one of the more incredible she had ever seen.

Sent to the museum’s general in-box, it came on behalf of a retired middle-school teacher named Peggy Dunievitz, the daughter-in-law of a doctor named Max Dunievitz. Dr. Dunievitz served in the early 1960s as medical director of DeWitt State Hospital in Auburn, Calif., where Mr. Ramírez lived for many years and died in 1963. The e-mail message, composed by Mrs. Dunievitz’s daughter-in-law, Julia, reported matter-of-factly: “Max is no longer with us, but for the years he worked there, he knew Martín and supplied him with colored pencils and things for his art, and as a consequence my mother-in-law has a collection of Martín’s drawings.”

Ms. Anderson said her heart skipped a beat, but she was conditioned by her years in the field to be highly skeptical of such finds. She asked the Dunievitz family to take pictures of some of the drawings and e-mail them, which they did.

She looked at the pictures. And then she immediately bought a plane ticket to California.

“I think first I actually leaped out of my chair,” she recalled.

What Ms. Anderson saw were Ramírez’s unmistakable subjects — horses and caballeros, trains, tunnels, ships, Madonnas — and the grand, repetitive lines that were his trademark. And what she found when she got to Mrs. Dunievitz’s house in Auburn was a cache of some 140 of the drawings, all from the last three years of Ramírez’s life, many of them dated and most in great shape, despite lying in a garage for almost two decades.

It was an astounding discovery for an artist whose known body of work had previously numbered about 300 drawings and collages, collected by a psychologist, Tarmo Pasto, who befriended Ramírez and championed his work beginning in the 1950s.

Mrs. Dunievitz, 73, had contacted the museum after reading a newspaper article about the Ramírez show in New York, and had been largely unaware of the artistic or monetary value of the drawings; some Ramírez works have sold for more than $100,000. She has now become the holder of an important, lucrative art collection, which she and her elder son, Phil, and Julia, his wife, are hoping to sell.

They said they are also planning to give at least three works as gifts to the Folk Art Museum and, along with a lawyer and a New York dealer they have chosen, are discussing plans to use some of the money to honor Ramírez and his surviving family members, who do not own any of his works and have never benefited from his rising profile in the art market. The Folk Art Museum is also planning an exhibition of many of the new drawings for next October that it hopes will show how Ramírez’s work matured, becoming more confident and abstract in its final years.

The survival of the drawings is all the more unlikely because, after Dr. Dunievitz’s death in 1988, they were thrown in a trash pile by his relatives as they sorted through the possessions in his basement.

“They basically made a blind assessment: ‘All this stuff needs to go in the trash,’” said Phil Dunievitz, 42, who had seen the artworks many times in his grandfather’s house when he was young. Instead, he gathered them all up, rolling them and putting them into several long-stem-flower boxes in his mother’s garage.

They were later transferred to an old box that sat atop her garage refrigerator for years, “with a sleeping bag on top of that,” Mrs. Dunievitz said. “And sometimes the cat slept out there on top of it all.”

“Somehow, anytime the garage was cleaned out,” she added, “they miraculously didn’t get thrown out.” In the 1990s she came across a Ramírez while visiting the Abby Aldrich Rockefeller Folk Art Museum in Williamsburg, Va., and talked to a curator there, telling her that she had some Ramírez drawings of her own. But after she left, she never followed up.

“I would have been elected procrastinator of the world if I ever got around to mailing the paperwork in,” Mrs. Dunievitz said.

Ms. Anderson, who had organized the Ramírez retrospective, first saw many of the drawings after they had been moved from the garage to a spare bedroom inside the house and displayed atop twin beds. She was more than ecstatic. “Brooke kept saying: ‘Oh, my God. Oh, my God. Oh, my God,’” Mrs. Dunievitz said. “I thought she was praying.”

In a recent interview in a Brooklyn warehouse where the drawings have now been moved for safekeeping, Ms. Anderson, the director of the museum’s Contemporary Center and Henry Darger Study Center, said her reaction was probably a little bit over the top.

“This is huge for us,” she said, adding, “I was always convinced that there was work out there in basements and attics that had been collected by doctors or nurses or janitors.”

Ramírez left his small ranch in the Jalisco region of Mexico in 1925 to look for work in California. He became homeless, and in 1931, appearing to be confused and unable or unwilling to communicate in English, he was picked up and committed. He never returned to his wife and four children back home, spending his last three decades in psychiatric hospitals.

Frank Maresca, the art dealer whose gallery, Ricco/Maresca, was chosen over two other competitors by the Dunievitz family to represent the work, said the discovery of such a huge amount of new work by an artist of Ramírez’s stature “is really as rare as Tutankhamun.”

It is even more significant, he said, because it will allow people to see a clear arc to Ramírez’s output. “What you see in the later works is a stronger degree of stylization — everything becomes more abstracted and experimental,” he said.

Mr. Maresca, Mrs. Dunievitz and her son said they had only recently begun discussing what might be done for Ramírez’s surviving family, which includes a daughter and many granddaughters and great-granddaughters. The likely plan will be to create some kind of an education and arts foundation instead of giving works or money directly to the family.

“There are more than 50 of them,” Mrs. Dunievitz said of the family. “How do you slice a pie that thin?”

But her son, who runs a tree-removal business near Lake Tahoe, said he still held out some hope of donating some work. “The family doesn’t even have one piece of his art, and that kills me,” he said.

Contacted by phone, one of Ramírez’s great-granddaughters, Martha Bell, a financial coordinator at Cedars-Sinai Medical Center in Los Angeles, said she and her sisters were simply happy that more of the work had been found in good condition to add to Ramírez’s legacy.

“This is music to my ears,” she said. “We’re so proud and so excited.”

Asked how the money from the drawings might affect his life, Phil Dunievitz said he did not think it would change much. “We might be able to buy a house,” he said, “which would be nice.”

1 comment:

virgo70 said...

I happen to be researching today more about the town that my mother's family is from Capilla de Milpillas, Jalisco, Mexico when I came upon Martin Ramirez. I was surprised because heard of him through a spanish speaking language but heard taht he was from Teptatitlan Jalisco. I was surprised because my mother's family is also Ramirez. I called my mother and she recalls his brother calling my grandfather Tio, Uncle, this is exciting because we don't have much family and especially don't know my grandfather's family. This will probably give me the tool to get more names of people. As far as the artwork goes, I hope that his family does get at least one of his works. And as far ast the money goes I definitely believe his daughter should definitely get some money since the original reason he left was to make a better life for them. I also think that thanks to the families that saw something in him they were able to preserve his artwork and yes it would be nice to get some money but in reality the rightful owner is his daughter and then she could decide to divide it among her family.